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Cyanide Pills $12.78 Just life anything else in life, rock & roll runs in cycles -- close to 35 years after the Damned cut "New Rose," British punk bands are still trying to sound young, loud, snotty, and tuneful, and after American punk-pop bands borrowed the melodic style of early U.K. punk bands like the Buzzcocks and the Jam while adding a few dollops of hooky sweetening, the Cyanide Pills have swiped it right back with all the extra hooks intact. The Cyanide Pills' self-titled debut is full of let's-pretend bile and song titles like "Cheap n Nasty," "Suicide Bomber," and "Interrogation Room," but the tunes bubble along with a jumbo portion of energy, enthusiasm, and harmonies, while the guitars sound too playful to be menacing and the rhythm section clatters along with spunk for days. It's hard to imagine anyone being at all threatened by the Cyanide Pills' music, but if it's not confrontational, that's not to say it isn't fun or effective. Alex Arson and Si Pinkeye are a potent guitar team, keeping the songs running in fourth gear at all times, while drummer Chris Wrist and bassist Alarick "The Trick" lay down a tireless, upbeat rhythm and lead singer Phil Privilege can howl and hit the notes at the same time, no small gift. The songs are rough-and-ready little pop constructions that know not to wear out their welcome (none of the 19 songs is over three minutes long, and eight don't even crack the two-minute mark), and they're full of choruses that are suitable for bellowing along while you pogo. And on the few tunes where they ditch their natural sweetness, they can rock pretty hard. The Cyanide Pills don't have an original bone in their collective body, but they've learned very well from their predecessors, and if you can't find your copies of Singles Going Steady or Pure Mania, this album will do just fine in the meantime. ~ Mark Deming, Rovi |
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Taller in More Ways $19.99 Sugababes were one of the most consistently successful British pop acts of the 2000s, with an unparalleled string of innovative Top Ten singles and solid if not faultless full-lengths. Their fourth, the awkwardly named Taller in More Ways, was no exception -- indeed it was their first album to hit number one, and among their strongest. As usual, the singles tend to shine the brightest, but there are only a handful of truly lesser tracks scattered among the state-of-the-art dancefloor stompers and towering ballads. The simple yet effective electro-pop club ditty "Push the Button" was the first single (and it topped the charts as handily as its predecessors had), but even better in that category is the monstrously funky "Red Dress," a Xenomania track reminiscent of their frisky Girls Aloud productions, that makes excellent use of a rejiggered horn section sampled from a '60s Northern soul cut ("Landslide" by Tony Clarke). In the latter column, both "Follow Me Home" and "Ugly" are aptly pitched inspirational mini-epics dealing, respectively, with romantic and body-image issues (even if "we only get judged by what we do" sounds like rather wishful thinking, the 'Babes make you believe it). And it gets deeper than that, in several ways: the breezy, ska-punk-tinged "Joy Division" (which has nothing to do with that band, musically or lyrically); the sugary synth pop of "Obsession" (a cover of '80s new wavers Animotion); the intoxicating, hard-hitting "It Ain't Easy," which pits a menacingly swung, twangy guitar riff -- lifted so blatantly from Depeche Mode's "Personal Jesus," it's a wonder Martin Gore doesn't get a writing credit -- against a martial strut and agitated double-time group vocals. "Gotta Be You" pillages less successfully: despite a passable foundation of synth-fuzz R&B with trendy tabla-esque skittering, it treads so melodically close to Aaliyah's majestic "Try Again" that it can't help but pale by comparison. Meanwhile, the final three cuts fail to leave much of an impression -- there's nothing like "Maya," the haunting closer on Three. Even so, the overall quality of the material, the production, and of course Sugababes' trademark vocal work -- subtly satisfying without being showy -- are enough to make this another winner from one of the winningest (and most winsome) pop groups going. [In 2006, following the departure of Mutya Buena from the group, Taller in More Ways was reissued with one new track and re-recorded versions of "Gotta Be You," "Follow Me Home," and "Red Dress" featuring new member Amelle Berrabah.] ~ K. Ross Hoffman |
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If I Were Just a Little Taller (Paperback) $9.89 Have you ever dreamed of what it would be like to be just a little bit taller? To be able to do the things that you see Mom, Dad and your friends in the neighborhood do? If I Were Just a Little Bit Taller playfully does just that but helps you realize the benefits of not growing up too fast. |
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Pills Are Not for Preschoolers (Paperback) $10.94 Where can parents turn when their child exhibits disturbing behavior and they want to avoid psychiatric labels and drugs? Pills Are Not for Preschoolers presents a much-needed alternative: child-focused family therapy?a brief, effective approach that involves family members in the child`s therapy. A family therapist for more than twenty years, Marilyn Wedge treats children`s problems not as biologically determined ?disorders? but as responses to relationships in their lives that can be altered with the help of a therapist. Parents can now respond to symptoms of ADHD, depression, and anxiety with respectful family prescriptives, not -prescriptions?and Wedge brilliantly shows us how easy it can be to understand and implement her pathbreaking approach. ?Like a clever detective, [Wedge] allows the child to guide her to the heart of a family`s problems.??Publishers Weekly?I highly recommend this book to doctors, mental health professionals, educators, and parents.??Mary Pipher, author of Reviving Ophelia |
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Taller in More Ways [Re-Recorded] $16.99 Sugababes were one of the most consistently successful British pop acts of the 2000s, with an unparalleled string of innovative Top Ten singles and solid if not faultless full-lengths. Their fourth, the awkwardly named Taller in More Ways, was no exception -- indeed it was their first album to hit number one, and among their strongest. As usual, the singles tend to shine the brightest, but there are only a handful of truly lesser tracks scattered among the state-of-the-art dancefloor stompers and towering ballads. The simple yet effective electro-pop club ditty "Push the Button" was the first single (and it topped the charts as handily as its predecessors had), but even better in that category is the monstrously funky "Red Dress," a Xenomania track reminiscent of their frisky Girls Aloud productions, that makes excellent use of a rejiggered horn section sampled from a '60s Northern soul cut ("Landslide" by Tony Clarke). In the latter column, both "Follow Me Home" and "Ugly" are aptly pitched inspirational mini-epics dealing, respectively, with romantic and body-image issues (even if "we only get judged by what we do" sounds like rather wishful thinking, the 'Babes make you believe it). And it gets deeper than that, in several ways: the breezy, ska-punk-tinged "Joy Division" (which has nothing to do with that band, musically or lyrically); the sugary synth pop of "Obsession" (a cover of '80s new wavers Animotion); the intoxicating, hard-hitting "It Ain't Easy," which pits a menacingly swung, twangy guitar riff -- lifted so blatantly from Depeche Mode's "Personal Jesus," it's a wonder Martin Gore doesn't get a writing credit -- against a martial strut and agitated double-time group vocals. "Gotta Be You" pillages less successfully: despite a passable foundation of synth-fuzz R&B with trendy tabla-esque skittering, it treads so melodically close to Aaliyah's majestic "Try Again" that it can't help but pale by comparison. Meanwhile, the final three cuts fail to leave much of an impression -- there's nothing like "Maya," the haunting closer on Three. Even so, the overall quality of the material, the production, and of course Sugababes' trademark vocal work -- subtly satisfying without being showy -- are enough to make this another winner from one of the winningest (and most winsome) pop groups going. [In 2006, following the departure of Mutya Buena from the group, Taller in More Ways was reissued with one new track and re-recorded versions of "Gotta Be You," "Follow Me Home," and "Red Dress" featuring new member Amelle Berrabah.] ~ K. Ross Hoffman, Rovi |
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