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Addiction-Free Naturally (Paperback) $16.78 The first comprehensive guide to overcoming addictions by usingB natural remedies that rebuild health for both body and mind from the inside out.B?" Covers a full range of natural remedies, including herbs, homeopathy, aromatherapy, flower essence remedies, color therapy, acupressure, and more. B?"B Addresses many different substances, such as caffeine and chocolate, and discusses how the body deals with withdrawal, detoxification, and repatterning. B?"B The natural remedies included in this book can be used in conjunction with conventional therapies. B?"B By well-known author Brigitte Mars, who has 30 years of experience with natural therapies and is the formulator for UniTea Herbs. Addiction is one of the most serious health issues facing our twenty-first century culture. Modern lifestyles encourage us to consume excessive amounts of caffeine and sugar and to unwind from our stressful lives with tobacco or alcohol. Left untreated, some addictions can cause metabolic damage, leading to heart disease, high blood pressure, and immune disorders--as well as causing nutritional deficiencies, fatigue, and depression.B Addiction-Free--Naturally offers gentle but effective ways to ease cravings and nourish the body, as well as information on cleansing the body of accumulated toxins and using natural remedies for stress relief. The remedies can be used in conjunction with conventional therapies, such as psychotherapy or Alcoholics Anonymous meetings. The author also offers advice on designing a personal program to break addiction and finding a health care professional or program to offer expert guidance as you walk the road to recovery. |
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Taller Children $9.58 Having already issued a handful of homemade recordings, Elizabeth & the Catapult sound unusually assured on their major-label debut. Taller Children bounces between piano jazz, coffeehouse pop/rock, and contemporary lounge, a mix that appeals to NPR-loving sophisticates without alienating those who prefer mainstream radio instead. At the center of the storm is frontwoman Elizabeth Ziman, a disciple of Ella Fitzgerald and a contemporary of Regina Spektor, Ingrid Michaelson, and other piano-playing female songwriters. Ziman distances herself from those females by simply casting her net wider, helming a torch ballad one minute and piling thick harmonies on top of electro-pop percussion the next. The presence of studio wiz kid Mike Mogis -- producer extraordinaire for the likes of Rilo Kiley, Cursive, and Tilly & the Wall -- helps fuel the eclectic set list, as it relieves the band of splitting its time between songwriting and production duties. Free to do whatever they wish, the musicians explore the boundaries of pop music with wide-eyed fascination and competency, using the studio to their advantage without resorting to the sort of dense, grandly orchestrated music that can't be replicated in concert. Some orchestral flourishes do pepper the album's ballads -- "Rainiest Day of Summer" evokes a rainy Manhattan landscape with Brill Building strings, and "Right Next to You" brims with gauzy layers of keyboard, vibraphone, and flügelhorn -- but Taller Children devotes more time to the talents of the band, not its host of sidemen. This is a record that reveals its layers upon many listens, an album that channels the sophistication and elegance of Fifth Avenue while keeping its head in the bohemian enclave of the West Village. In short: very agreeable, very New York, and quite promising. ~ Andrew Leahey, Rovi Performers: Mike Mogis - Autoharp, Castanets, Pedal Steel, Bells, Tambourine, Guitar (Acoustic), Guitar (Baritone); Alan Hampton - Bass (Electric); Dan Brantigan - Flugelhorn; Dan Molad - Xylophone, Bass (Electric), Vocals (Background), Guitar (Electric), Drums, Percussion, Guitar (Acoustic), Synthesizer; Elizabeth Ziman - Wurlitzer, Mellotron, Glockenspiel, Vibraphone, Melodica, Vocals (Background), Fender Rhodes, Vocals, Synthesizer, Keyboards, Piano, Organ; Jordan Scannella - Bass (Electric); |
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Grow Fruit Naturally (Paperback) $16.31 Take your pick: apples, pears, peaches, blueberries? For health- and money-conscious consumers, homegrown edibles are the way to go. While vegetable gardening has been the hot trend, fruit growing is now taking a bite out of the market. This timely and comprehensive book from gardening expert Lee Reich shows the way to successfully grow fruits that are delicious and nutritious, with information on over 30 fruits and how to reap the most of their bounty. Covering all topics from planning and planting to pruning and harvesting, this essential reference also discusses natural pest-control and fertilization methods, pollination, irrigation, and special techniques such as espalier and growing fruit in containers. A handy, encyclopedic listing of fruits provides in-depth information on individual fruit needs, care, and varieties, with a focus on all-natural growing techniques. With 150 photos and over 50 illustrations, this highly visual guide is the book to pick up to keep your fruit crops thriving. |
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Good food naturally;: How to grow it, cook it, keep it $6.26 This book is in Good Used condition |
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How Nations Grow Rich: The Case for Free Trade $38.5 In How Nations Grow Rich, Krauss argues there is no inherent reason why the growth of the welfare state in the Western industrial countries should conflict with free trade-that is, there is no ... |
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Naturally Thin $11.95 Bethany Frankel is best known for her appearances on the hit TV program REAL HOUSEWIVES OF NEW YORK CITY. In NATURALLY THIN, she offers her own advice on how to stay thin and still eat tasty and satisfying meals. She offers a helpful list of hints that c |
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Asthma-free Naturally (Paperback) $12.58 Explains how the Buteyko Breathing Method can help readers retrain their breathing habits to free themselves from asthma symptoms, attacks, and medication. |
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Room to Grow $12.78 On her third album, Adrienne Young continues yet also expands on her earlier efforts. Although the Florida-born, Nashville-based performer maintains a rustic Americana feel from her first two discs, she has also polished up her sound. It is apparent from the rousing leadoff track "All for Good," a full-bodied, lightly twangy pop tune that would have fit in nicely with the Lilith Fair scene. After returning to her bluegrass roots, (as well as showcasing her banjo picking) on the second cut, "Sgt. Early's Dream/Maids of Castlebar," she dives into the disc's strongest section. On winning tunes like "Room to Grow," "In Between the Heartbeats" and "High Flyin' Dream," Young appealingly balances Americana rootsiness with poppier Nashville melodicism. It's interesting that her writing partners this time around not only include longtime collaborator Will Kimbrough but also Music City songwriter Mark D. Sanders (whose songs have been covered by the likes of Garth Brooks, Alan Jackson, and Lee Ann Womack). While Young hasn't forsaken her backporch musical ways, she does create a slightly more sophisticated sound here. Her husky, honeyed voice feels right at home in this warm, more refined setting, whether on her own lovely ballad "Givin' Up the Fight" or duetting with Phish's Mike Gordon on the old country chestnut "Once More." Her other cover is a pleasant if rather conventional rendition of Joni Mitchell's "Free Man in Paris," which does hint at some jammy tendencies that surface later in "How Is This World Better Now." She's better served in the galloping country rocker "Dark Around the Moon," a tune that adds some grittiness to the disc. While Young is very politically active (particularly in environmental issues), she is writing more about the politics of the heart here than world politics. Still, her interests show up in her lyrics, which are filled with images of nature, animals and the Earth. A very accomplished effort, Room to Grow also is very much an album about artistic growth and it will be interesting to see how Young grows as an artist in the future. ~ Michael Berick, Rovi Performers: Adrienne Young - Banjo, Guitar, Guitar (Acoustic), Vocals; Andy Hall - Dobro; Craig Harmon - Wurlitzer, Organ (Hammond); Dale Ann Bradley - Vocal Harmony, Harmony Vocals; Eric Merrill - Vocal Harmony, Fiddle, Harmony Vocals, Banjo; Gordon Stone - Pedal Steel; Kyle Kegerreis - Bass (Acoustic); |
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Asthma-Free Naturally $14.4 This revolutionary book teaches readers how to take control of their asthma safely and effectively without any side effects... |
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It Ain't Easy/Naturally $14.98 Since Three Dog Night's albums were typically short, single-disc compilations that pair two of them together are not only logical but a good value, too. Case in point: this one, with 19 tracks from two of the band's releases from 1970, it clocks at just over 68 minutes. The sequencing of It Ain't Easy has been changed from the American edition that led off with the disc's biggest hit, "Mama Told Me Not to Come." That song appears here buried in the programming at cut seven, which changes the feel of the finished product. The easy rolling version of Paul Williams' "Out in the Country" was the only other charting nugget, although the first appearance of Elton John's "Your Song," which predated John's own version on his debut by a few months, proves how sharp the group's knack for finding great tunes was. The one original, "Rock and Roll Widow," which is co-credited to all seven members, is the worst track by a large margin, further proving that their strength was finding and covering other artist's material. The opening, Free's "Woman" is an inspired choice and one of It Ain't Easy's highlights. Naturally, Three Dog Night's second album from 1970, is a better, harder rocking overall effort, even if its most memorable selection, "Joy to the World," is almost an afterthought as the closing tune. Someone had to dig to unearth Spooky Tooth's soulful "I've Got Enough Heartache" (the reissue leaves off the "s"), a deep album choice from Spooky Two, but the pay-off is a soulful performance that nonetheless didn't help Tooth's floundering career. The backing group co-penned "Fire Eater," one of the few instrumentals in TDN's catalog; it's a tough, swampy riff rocker that features some sizzling guitar from Mike Allsup that still didn't help it from getting lost in the band's catalog. The digital remastering of both albums, done in 2006, is good if not spectacular, and writer Bruce Eder's liner notes are informative without being cloying. ~ Hal Horowitz, Rovi Performers: Chuck Negron - Vocals; Cory Wells - Vocals; Danny Hutton - Vocals; Floyd Sneed - Drums; Jimmy Greenspoon - Keyboards; Joe Schermie - Bass; Mike Allsup - Guitar |
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Stop Asthma Naturally: How to be Asthma Free Permanently $15.16 This book is based on the Buteyko Breathing Method, the most effective drug-free approach for treating adults and children with asthma... |
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Naturally! $9.58 Most of the albums that Nat Adderley recorded in the '60s employed a saxophonist; Yusef Lateef, Joe Henderson and Charlie Rouse were among the tenor heavyweights he featured on his albums. But Naturally! is an exception to that rule. Produced by Orrin Keepnews for Jazzland in 1961, Naturally! was the cornetist's first album of quartet performances. Adderley uses two different rhythm sections on this date, which was reissued on CD in 2003 for Fantasy's Original Jazz Classics (OJC) series. One consists of three players he knew from brother Cannonball's group: bassist Sam Jones, drummer Louis Hayes and pianist Joe Zawinul (nine years before Weather Report). The other rhythm section is comprised of musicians who had worked as Miles Davis sidemen: pianist Wynton Kelly, bassist Paul Chambers and drummer Philly Joe Jones. And whatever rhythm section he is working with, Adderley never has a saxophonist on these performances -- most of which have a strong Miles Davis influence and a relaxed sense of swing. Adderley goes for a fast, busy sound on Sonny Rollins' "Oleo" -- which lends itself to that type of approach -- but the cornetist is a lot more relaxed and economical on "Love Letters," "Chloe" and the title track. For the most part, Naturally! is a bop album, although Adderley gets into a modal post-bop groove on Sonny Red's "Images." Red, an alto saxophonist with a definite Charlie Parker/Jackie McLean influence, was hell-belt for bop most of the time -- and "Images" (which sounds like a combination of John Coltrane's "Impressions" and Kurt Weill's "Speak Low") isn't typical of his writing. Nonetheless, it's a great, if overlooked, tune that works nicely for Adderley, who was 29 when he recorded this solid and pleasing (if less than essential) album. ~ Alex Henderson, Rovi Performers: Nat Adderley - Cornet, Trumpet; Joe Zawinul - Piano; Louis Hayes - Drums; Paul Chambers - Bass; Philly Joe Jones - Drums; Sam Jones - Bass; Wynton Kelly - Piano |
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Naturally $5.58 Three Dog Night kept up its reputation for putting other artists' songs on the charts with Naturally, one of the group's finest offerings. With Hutton, Wells, and Negron sounding amazingly tight and fluid, they took their soft rock dynamics and mixed them with an abundance of hooks and harmonies to produce three Top 20 singles, eventually earning the band a gold disk. The fresh-sounding "One Man Band" hit number 19 in December of 1970, followed by Three Dog Night's most acclaimed tune, the Hoyt Axton-penned "Joy to the World," which spent six straight weeks at number one, and Russ Ballard's "Liar," which peaked at the number seven spot only four months later. But Naturally's energy stretches far beyond the album's hits, mainly because Three Dog Night managed to carry the spirited groove and boundless, unconfined feeling of the late '60s into the next decade with most of the songs on this album. The peace-and-love aura of past hits like "Eli's Coming" and "Easy to Be Hard" shows up in tracks like "Sunlight" and "Heavy Church," while the remaining cuts are just as forceful, utilizing the trio's bare vocal power to produce some rather eloquent yet intoxicating music. With the help of Jimmy Greenspoon on keyboards and Mike Allsup's guitar work, songs like "I Can't Get Enough of It," "Fire Eater," and "I've Got Enough Heartache" keep the album's liveliness afloat by lending some carpeted instrumentation to the front-and-center vocals. The rest of the album is often disregarded because of the strength of Naturally's hits, when in fact this is one of Three Dog Night's most well-rounded contributions. ~ Mike DeGagne, Rovi Performers: Chuck Negron - Vocals; Cory Wells - Vocals; Danny Hutton - Vocals; Floyd Sneed - Drums; Jimmy Greenspoon - Keyboards; Joe Shermie - Bass; Mike Allsup - Guitar |
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Grow Taller Naturally
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